LONESTAR AMAZED ALTERNATIVE VERSION PIANO PLUSAll submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto.If you have any suggestions or comments on the guidelines, please email us. We cannot post your review if it violates these guidelines.Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.Please do not use inappropriate language, including profanity, vulgarity, or obscenity. Be respectful of artists, readers, and your fellow reviewers. LONESTAR AMAZED ALTERNATIVE VERSION PIANO FREEFeel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.Are you a beginner who started playing last month? Do you usually like this style of music? Consider writing about your experience and musical tastes.Do you like the artist? Is the transcription accurate? Is it a good teaching tool? Explain exactly why you liked or disliked the product.The original release by Lonestar does not sound quite as much like Adamss song. Anyway, it’s a catchy song, and so is Lonestar’s version, which was produced by Christian music veteran Dann Huff. In fact, you are likely to have heard the remixed version of Amazed. It’s from 1993 but didn’t hit the Hot 100 until featured on American Idol in 2008. I couldn’t find the two versions to contrast, however.Īlso, this song’s verse ripped off the melody of the extremely popular Christian tune “Shout to the Lord” ( ) pretty blatantly. Apparently this song was remixed for the pop charts after its original country release. Lonestar had nine #1s on country radio, but only this one in the US Top Twenty. Looks like the “twenty years later rule” is in effect, with Shania Twain, Faith Hill, and Lonestar taking the place of Kenny Rogers, Dolly Parton, and Juice Newton. Still, mostly the country/rock distinction is one of image rather than musical substance, as each genre caters to the self-identifying urges of a specific subculture. The band took the time to learn an alternative version of a song for us for our first dance, and we couldn’t have asked for better. He’s not American, and unlike Keith Urban, he doesn’t adopt American country vocal twang. When Elton John uses a steel guitar (Tiny Dancer) nobody thinks it’s country. It’s a retrofitted vocalist and a couple instrumental edits away from being straight up pop music, the only reason it gets classified as country is due to Lonestar clinging to those small cliches that define the genre. However, with a crossover hit like Lonestar managed, we do get pop music with different instruments, and not even that many different instruments. Country often goes in directions that can take it pretty far afield from what would normally top a pop chart. An argument could be made that country music is just pop with different instruments, but that’s not always the case. Otherwise, apart from some instrumental touches, this is a pretty typical piano-driven pop ballad, something proven by how many people have covered it and turned it into exactly that. The vocals have a bit of a twang to them that doesn’t really show up very much in pop music, which is kind of refreshing and a bit different when compared to the rest of the chart, though significantly less appealing if you grew up in a rural area like I did. There’s a fiddle that sits in the background, because that’s the law in country music. There’s some steel guitar wandering through on occasion, like a loitering youth at a convenience store. What is the difference between a country ballad and a pop one? In the case of Lonestar, very little.
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